Blackpool 2015 Video Highlights

The Blackpool Dance Festival just finished up in England!  The biggest and most prestigious ballroom dance competition and event in the world.  Each round starts from something like 200 couples.  It would be awesome to attend one day, even if just to spectate.  Some people I know have been able to spectate and/or dance there.  Jealous. Here are some video highlights for your enjoyment!

Slavik and Karina’s Rumba Showcase

Obsessed.  This is one of my favorite rumbas ever and it’s still so, so good, even 10+ years later.  They were the best when they danced together.

Team USA

Note Arunas doing cha cha and being an overall goof.  You never see this side of him! Also, Riccardo and Anastasia dancing standard.

Professional Latin Final Rumba

Michael and Joanna retire after their 8th Blackpool win!  I appreciate them, but am a diehard Yulia and Riccardo fan.  Also, Troels and Ina, WDC amateur Latin champions, went pro and made the finals for a couple of dances.  Should be interesting to see how they do in pro!  That standing spin thing that Maurizio and Andra did was sick.  Also, literally everyone is wearing black or white or a neutral color.

American Smooth Exhibition

For the first time ever, they featured American Smooth at Blackpool!  Historic stuff.  They invited the top pro smooth couples to do a full round exhibition, which was received with a standing ovation.  Maybe dancers will compete smooth at Blackpool one day.  I wonder where rhythm was…

DSI London has graciously posted the first rounds from all the events on YouTube for free!  If you have a lot of time to kill, check ’em out.  There were tons of competitors from China and Japan this year.

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America’s Ballroom Challenge Episode 3 Review

The grand finale!  You can see it here.  So this is the ultimate showdown between the representatives from all four styles.  I still don’t get how this is judged (Compare each to the best in the world?  Look at entertainment value? Toss a few coins?), but we’ll go with it.  They will start with a short program, which is supposed to be a more traditional piece that features a typical dance and steps from their respective category, and then a long program that can be more freeform in style.  I don’t think they actually stuck with these guidelines very much, as the long programs seemed to be more thematically traditional.

We start with the Perzhus performing a pretty smooth waltz to a popular song that I hear in competition all the time, “Song for Viola,” which had a sad/ethereal vibe.  It was very pretty but a little sleepy.  Next were Emmanuel and Liana representing rhythm, dancing a fun mambo.   Girl rocks the feathers in a way that most people can’t.  In person, it took three attempts for this performance to work out, due to various technical issues.  Great performance, though I did notice that parts of this routine were exactly the same as from their competition mambo.

Brief break with a super cute mother and son couple dancing a cha-cha.  This kid was ridiculously good, with a lot of star power.

Artem and Inna, the standard couple, gave a kind of bizarre quickstep performance.  They had Inna with lots of extra bust and butt padding, playing a Chiquita banana lady sort of character.  They incorporated some samba steps into their quickstep, to go along with the tropical theme.  I was not crazy about the costuming choice – kind of unnecessary.

Roman and Anna finished up the set of short program routines with an okay cha cha.  Roman entered the floor prancing around in a boa, which I don’t think men should do in general, while Anna rocked a pinstripe jumpsuit overall thing.  Overall, with the short program, I think the American style dancers did the best, which was reflected in their placements:  Emmanuel in Liana in first, Peter and Alexandra in second, Roman and Anna in third, and Artem and Inna in fourth.

Carlos and Dora’s Exorcist piece

We then move on to some theatre arts, woot!  Theatre arts at Ohio Star Ball is great to watch.  It’s definitely acrobatic and lots of stuff that make you go, “what just happened” and “how the hell did they just do that?!” and you don’t often see it in general.  Never at the collegiate level, that’s for sure.  This was actually a competition, but ABC didn’t mention that aspect.  The first performance from Carlos and DOra was an awesome Exorcist-themed dance, which was definitely out there.  I loved it!  Very well performed, creepy, and had good tricks and dancing incorporated into it.  Usually theatre arts stuff just comes in two varieties: romantic flowy themes and intense warrior/tribal pieces, so this was very refreshing.  Justin and Kimalee went next – they’re here every single year and always have a good performance.  They did a romantic piece to Sam Smith that was lovely, with awesome lifts, great transitions, and nicely portrayed emotions.    Third was Shane and Shannon Jensen, a rhythm couple who had some ridiculous transitions.  I think they ultimately won.

Now, the long program!  The Perzhus opened with a fantastic smooth tango, one of my favorites.  It had a flirty, passionate, classic, yet soft feel to it that really worked.  They also had really great musicality.  As a standard dancer, I also really appreciated the inclusion of substantial closed-hold choreography.  The costuming was also fantastic, a nice balance of classic/simple and adorned.  Definitely my favorite out of the bunch.

Emmanuel and Liana went next with a bolero that was very pretty.  I wasn’t sure how to feel about her outfit, which resembled an old curtain/doily.  Artem and Inna followed with a gorgeous foxtrot to Amelie music, which was so much better than their first piece.  Super smooth, ethereal, and technically sound.  Inna is super elegant.  Roman and Anna closed with a pretty traditional paso doble that was great, but lost a bit of steam at the end.

In the end, Emmanuel and Liana took the overall win by placing 2nd in the long program to Roman and Anna’s 1st.  The Perzhus somehow got fourth for their tango, which I thought was b.s.  It was nice for rhythm to have its moment, though.  In the past, I think International style was heavily favored in this all-star competition, so it’s great to see American style becoming more popular and appreciated.

Looking back, some of my favorite performances were:  Max and Michelle’s VW to Sam Smith’s “Not in That Way.”  It might not have been the best dance, but the song and simple feel were lovely, as were the emotional but not overwrought performance.   Artem and Inna’s foxtrot in this episode, as well as the Perzhus’ tango and the Exorcist cabaret/theatre arts (does anyone know the actual difference between the two categories?).  I also really liked the Perzhus’ mambo from episode 1.

Overall, ABC did a nice job of showcasing showcases, not so much of showing typical competitive ballroom.  However, given a general audience, watching showdances is probably more popular and understandable.  I appreciated having two knowledgeable commentators, but wished they could have provided more useful information about how judges might distinguish among the different couples and how things are scored.  From the competitors, I would’ve liked to have seen more creative pieces, but most of them were very nice, generally.  For the whole show, I’d give it a B/B+.

Here are my reviews of Episode 1 & Episode 2

America’s Ballroom Challenge Episode 2 Review

Episode 2 of America’s Ballroom Challenge: International Style!  I was surprised to find out that Mary was an Austrian (random) standard champion.  I pictured her as a rhythm dancer or something, but it turns out she did a bit of everything.  They played the everyone-on-the-floor-at-the-same-time mini-round of waltz, which was kinda cool.  In person, it’s pretty chaotic, but visually very cool, with 30-40+ couples on the floor simultaneously.  First were the “group rounds” of foxtrot and quickstep.  At least these were in order this time, as opposed to last week’s smooth dances.  Loved the bit of mini-formation team feather, reverse turn, three step sequence.  I timed it and they only showed about 50 seconds of each dance, which was really not enough to make anything of them.  Boo.  Would another 40 seconds really hurt?  Next was quickstep.

Showdances next.  Standard showdances can be kinda boring at times, so I was intrigued to see what these couples came up with.  These were more varied in dance style/theme than the smooth dances, so that was at least somewhat refreshing.  My favorite thematically was probably Andrey and Anna’s Marilyn Monroe piece, but the hair and costuming were a bit distracting, with her wig flopping around a lot.  A lot of hairspray would’ve helped with that.  Also slightly cringed when Anna overshot the lift and almost fell behind Andrey.  I’m pretty sure they’re one of the most attractive couples on the floor, especially when he doesn’t wear a shirt (from past years).  But I digress.  Oscar and Lenka had an awkward boy-themed foxtrot, with juvenile outfits, that I just didn’t get.  The cowboy-themed quickstep from Canadian couple Anton and Anna was cute.  Artem and Inna, the frontrunners, did a lovely emotionally expressive and technically sound foxtrot to My Heart Will Go On.  I giggled when he kissed her ear at the end (they’re married).  Loved her eye makeup.  Girl rocks the flowy dresses.  Denis and Lesya’s lyrical foxtrot was nice, but not very memorable.  Loved her green dress and loose hair.  Interestingly, she’s Max Sinitsa’s niece and used to dance with him.  The hosts might have mentioned that briefly at some point.  A quick search on Dancesport Info showed that Igor and Ekaterina had danced together way longer than the five and a half years reported by Mary.  They danced together, broke up, and then re-partnered and went pro together.  Their French-themed quickstep was solid but not super interesting.  In general, I found that the women were more expressive than the men, which is especially the case in standard, I think.  You tend to find a lot of tall stoic standard men.

Denis & Lesya

Anton & Anna

Ultimately, in the show dance, Denis and Lesya placed first, Andrey and Anna second, and Anton and Anna third, which surprised me.  Artem and Inna were in fourth, but will represent the standard style anyway, since they were first for the five other dances, I believe.

Brief featurette with the DJ Brent Mills, which was nice, I guess.  On to Latin!  They were gracious enough to show us one entire round of jive.  I wasn’t really familiar with any of these people except for Roman and Anna.  Was hoping that Riccardo and Yulia would show up this year, but no dice, alas.  I liked the plain leopard dress.  It’s nice when people go unconventionally simple and unadorned.  On the other hand, one male dancer decided to wear glittery pants.  No.

Showdances!  Lots of rumbas, of course.   Lots of rumbas in silky shirt-type outfits.  Kamil and Anna’s was nice, but I was confused by her wet-looking shirtdress.  Maybe it was on purpose, based on the storm noises in the music?  Or she was just really sweaty?  Also, they continued the Barbra Streisand theme from last week.  We had definitely heard this exact song, “Don’t Go Away”, during smooth for Mazen and Izabella’s showdance.  On another note, Kamil’s facial hair is an example of a goatee that really works for ballroom, at least in Latin/rhythm.  Roman and Anna did another version of angsty silky-shirt rumba.  A little too much running around for my taste, but they had a really cute moment together at the end.  Also, she is so freaking tan!  She made him look super pale in comparison, even though he’s not particularly white.  Dmitry and Olena did a jive to “Happy” with awkward NYC-themed outfits that I didn’t get.  For once, the hosts had some critique to offer about their side-by-side choreo and costuming.  Evgeny and Maria did a very traditional but good paso…at least it was to a song other than Spanish Gypsy Dance.  Vitaliy and Eugenia’s cha cha, with her in a catsuit, finished off the set.  Pretty fun, and the catsuit worked for the Michael Jackson theme.  The all-black look unfortunately led them to blend into the background a bit, though.  The slower music choice also made them look a bit sluggish at times.

Roman & super-tan Anna

I didn’t have any particular favorite out of the Latin showdances.  Top three showdance placements (at least, based on the lineups):  Roman and Anna, Andrey and Yulia, Kamil and Anna.  Which were, coincidentally (not really), the exact same rankings for the group dances. Side note, all 6 ladies’ names ended in “a”, and three of the men’s names ended in “I” or “y”.  Eastern Europeans!

Overall, solid.  Nothing especially stood out to me, but it was all great dancing and solid performances.  Definitely the best ballroom dancing you’ll see on TV.  In past years, I think people have been more creative in their choices, but it’s not something to expect on a regular basis.

To come soon: a review of Episode 3, the grand finale!  I still don’t understand how they can judge and compare dancers in completely different styles, but we’ll keep chugging along.

Click here for my review of Episode 1, which featured American style pros.

America’s Ballroom Challenge Episode 1 Review

The highly-anticipated America’s Ballroom Challenge aired on PBS this past Friday!  I lamented my sad TV antennae’s lack of PBS reception, but it turns out that the episode is available streaming online, at least for now!  It’s just under an hour.  This review will contain spoilers about placements, if you care about such things.

I had the fortune of being able to see all of the aired dances live at Ohio Star Ball, back in November.  Hmm, guess I didn’t write up a review of it then…should have, whoops.  Anyway.  The pro competition was all at night, in the Big Ballroom (I can’t remember what it’s actually called…maybe the Regency Ballroom or something similar).  There’s at least 3 different competition ballrooms in the Columbus Convention Center during OSB, with amateur, pro-am, and collegiate events going on.  People dressed up to the nines for the evening competition and we collegiate competitors were fortunately given admission to each of the nights as part of our registration.  If I recall correctly, the first night was rhythm and standard and the second night was smooth and Latin.  Or the other way around.  Doesn’t matter, I suppose.

They started with the normal four-or-five dances, whittling first rounds or quarterfinals down to 6-couple finals.  After the finals, each style’s finalists performed a short show dance.  Since this was at the end of the night and apparently most people didn’t care about them that much, a lot of the audience left, to the producers’ chagrin.  They all but begged us few stragglers to remain until the end to flesh out the audience for TV.  Also, we had to film audience reactions and clapping and such, which sometimes took multiple takes and hurt my palms.  But hey, the more important people with nicer seats left, so we could move up and get closer to the action on the dance floor.

The first ABC episode features American style smooth and rhythm.  They played brief clips of early rounds and for whatever reason aired part of the “group” Viennese Waltz first, then foxtrot.  Okay?  First of all, random order.  Second, I’d rather have shorter rounds of all four dances, if time is so limited.  I’m one of the cell phones in the audience during the VW! Totally cheesy but it looked cool.  Also, they caught a really nice moment of the Perzhus interacting with the audience and each other at the end of foxtrot.  They showed everyone briefly, and commentators Mary Murphy and Tony Meredith didn’t say anything particularly offensive, nor did they contribute a whole lot of insight.  However, having two ballroom experts is much better than having one ballroom person and one rando who doesn’t seem to know anything about anything and offers inane comments (see the last few years of the show…). They did mention that the Perzhus were current champions eventually, but didn’t say if anyone was poised to challenge them or anything like that.  Could have also mentioned how smooth originated from standard but has more freedom.

Mazen & Izabella’s showdance

After the “two” group dances, they showed the six couples’ showdances and made them sound way more important than being simply a fifth dance that would contribute to the overall placement.  Five out of six were beautiful but same-y angsty emotional contemporary-ish sorts of numbers.  Mary and Tony said they were all Viennese waltzes, but some were distinctly not – they were just kind of interpretive lyrical pieces or vaguely-foxtrots (4/4 at least, definitely not danced in 6/8 timing).  I enjoyed them all, but they did kind of mush together by the end of the night.  Nick Cherumukhin and Viktoriya’s piece was a nice surprise – I had never really watched them before.  Max and Michelle’s Viennese Waltz was refreshing with bare feet and pajama-esque costuming, but needed more polish, I think.  I loved her with Mayo Alanen, but this partnership needs more time, probably.  Loved the Tufts’ sassy, sexy foxtrot to “You Can Leave Your Hat On”.  Not what you would expect from dancers who originated from the Mormon-dominated Utah ballroom scene. Hello, suspenders.  Also no mention of how the Tufts do theatre arts as well (which is impressive in and of itself because she is much taller than most tiny theatre arts ladies) and are more seasoned in complicated lifts than the other smooth couples.

Brief break to show Mary Murphy “shopping” at all the OSB vendors.  Mostly it just made me sad that I can’t afford any of those amazing dresses and pieces of jewelry.  Show me more dancing!

Nazar & Irina’s showdance costumes. Yup.

Onto the rhythm section (the beat!).  Great representation here, in terms of the best rhythm dancers coming to compete.  Again, just showing two dances from the “group” section, out of order, with mambo and swing.  Okay.  And not paying much attention to the obvious winners, Emmanuel and Liana, until their showdance that featured a nifty costume transition.  The individual showdances for rhythm were more varied and interesting, even though half were mambos.  The Paramonovs were entertaining as always – I’ve seen them use this song before as a preface to a cha-cha version of the song “Why Don’t You Do Right”.  Of particular note were Nazar and Irina’s ridiculously over-the-top costumes, complete with huge tri-color ruffles and Irina’s tiny Swarovski-stoned bikini bottom…thing.  She was extremely naked, even if her legs/butt were technically covered with nude mesh fabric.  Funny how Mary and Tony didn’t say a word about that.  And that the episode was rated G.  Okay.  The Perzhus did the exact same matching-suited mambo as they did last year, but it was still awesome.  Wish I could pull off a stoned bra and suit combo.

What was very cool was spotting people I know in the audience.  It’s a small (ballroom) world after all…  I even spotted some of my team members for a hot second.  One of the best aspects of this program is that it’s the best TV depiction of ballroom dancing out there – a much more accurate, genuine take on the ballroom world, compared to shows like Dancing with the Stars or So You Think You Can Dance that pretend you can learn and master, or at least fake, ballroom in a week.  This show seems to better appreciate how technical and complicated the dance form really is.  And nowadays, it can sometimes be hard to find free high-quality video of good pro dancers that uses multiple camera angles and pretty good editing.  If I remember correctly, PBS ballroom shows were probably my first exposure to ballroom dancing as a kid, though I didn’t have any personal interest in it at the time.  Funding has been limited or non-existent for the past few years, so it’s fantastic that they were able to bring it back this year, even if it was just in this limited three 1-hour-long episode format.

In the end, the overall winners are Peter & Alexandra Perzhu and Emmanuel Pierre-Antoine & Liana Churilova, who will go to the “grand finale.”  I still don’t know how this is really determined – how can you compare smooth to standard to Latin to rhythm showdances?

Next week: International style!  Spoiler – think of how much better it would have been if only the world champions and finalists had shown up!  Still some great dancing, though.  Riccardo & Yulia, Arunas & Katusha, and Victor & Anastasia have all shown up at OSB in the past, but have been mysteriously absent for the past of couple years.  I think sometimes they skipped because a bigger world competition was going on, but I don’t know about this time around.  Mysterious.  It’s basically my only chance to see them compete live, so it was too bad that they weren’t there.

Here’s an outsider’s take on the show: What happens in a ballroom can be little shocking.  Uh, okay.  Lovely last paragraph, though.

USA Dance Nationals 2015

So, here’s a quick update on USA Dance Nationals, which took place in Baltimore at the end of March.  (There’s another NDCA Nationals that occurred in Utah a few weeks earlier – I haven’t been to that but it looks awesome.)  We danced novice and pre-champ standard and pre-champ/champ smooth.  Similarly to MAC, we had one event on Saturday and the other three on Sunday. Yikes…fortunately, they were spread out between 8 am and around 8 pm, thereby reducing the chance of dance-exhaustion, which is never fun.  However, dancing pre-champ standard at 8 in the morning was also not fun…part of the reason to move up to open is so that you don’t have to dance first event of the day!

Our results were pretty good and unsurprising – made the semis of novice standard out of a quarter, didn’t get a callback for pre-champ standard (which also started at a quarter), got 4th (!) in pre-champ smooth, and didn’t get into the final for champ smooth (which started at a semi).  It was similar to MAC, which I feel is very comparable in terms of the level of competition.  We got one place better than last year in pre-champ smooth, so we met our goal of performing the same or better, placement-wise.  But, more importantly, our dancing felt better than ever, which is always an “I’m the king of the world!!!” sort of feeling.

From workingatanonprofit.tumblr.com

I had worked on my shaped turns being more upward (be a shark chasing its fin rather than a dog chasing its tail! Weird but effective advice) and fully extending my arms.  I have a long-ingrained fear of hyperextending them, but Alexandra Perzhu and Izabella Jundzill, two top professional smooth dancers, have the same deal with their freakishly long arms, so I just went for it. What was also really nice was cheering on and hanging out with various dance friends from all over.  The open smooth crowd is fairly small, so many of us have gotten to know each other over the years.  I was pleased to see a large group of competitors in novice and prechamp smooth – these fields have grown a lot and have become really competitive!

I was fortunate enough to be sponsored by Next Level Dancing and got to use a fantastic Dore blue peacock smooth dress, which got tons of compliments.  Loved it! Even though it was sized a bit off – a little small in the bust (hello, side-boob) and a touch too long.  Whatever, it was awesome and I was very sad I had to give it back.

Also, this happened and makes me so happy (photographer credit to Brandon): 

Also this of most of the pre-champ smooth finalists (not sure who took the picture):

I volunteered most of Friday at registration and had to deal with a ton of people failing to bring proper residency documentation (which, FYI, entailed photo ID + either a passport or birth certificate.  Or green card/visa, etc.).  Oh my goodness.  Despite this information being on the website, probably a third to half of the competitors forgot it or said they didn’t know they had to bring it in the first place.  Part of it was miscommunication from last year, but a lot was just competitor ignorance (“But I didn’t know! We’ve never had to do this before!”).  Well, do your research, read all of the rules and regulations, and you save all of us some time and energy.  Nationals is not just any competition, because a lucky few get to represent the US at world championships.  People were obviously upset, particularly with the fear that they wouldn’t be able to compete, but the organizers found some workarounds.  One competitor was so dedicated/intense that she asked a friend to break into her house to photograph her paperwork!  Other fun volunteer activities involved dealing with (mostly eastern European) families.  Some were extremely on top of things, being very familiar with competition procedures, while others just could not get their act (nor their children) together.  Some plusses of volunteering: seeing some elite competitors in normal-person mode (“oh, you’re him/her?! huh.”), meeting people, hanging out.

Spectating was awesome as usual.  I have a new favorite ten-dancer Junior II couple, and we saw lots of really excellent young dancers.  My favorites from the MAC, Earle and Charlotte, won adult champ standard. This is why (watch for the awesome body roll!):

I caught the end of the adult Latin final, which was also great.  It’s fun to predict who the finalists will be and also to try to figure out the ultimate placings.  I can’t get it 100% right, but I think I can usually figure out the first, middle, and bottom third of the finalists, usually.

Some complaints: Friday night ended early, around 9 or 10 pm, while Saturday started at 8 am and ended at about 1:45 am.  Yup.  Ridiculous.  Someone didn’t calculate the heat list correctly and/or they didn’t speed up the evening session enough.  I know you want to give the champ couples their due recognition and whatnot, but everyone wants to get back to bed at a reasonable time!  Other than that, it was a very nice event and I look forward to attending again next year, as it is supposedly in Baltimore indefinitely (a somewhat controversial topic for a different blog post, perhaps).

Post-MAC Update

So it’s been a week, but I haven’t had any time to get my thoughts down on this competition/trip (grad school craziness).  All-in-all, it was amazing!!!  The worst parts were the two 10-ish-hour drives, but with friends, good music, and podcasts, it’s manageable.  Just not something I want to do all the time.  (Of course, I’m traveling to the DC area for the USA Dance Midatlantic NQE in three weekends, but never mind that…).

Anyway.  Staying in the competition hotel was a fantastic idea and now I totally understand why the pro-am folks almost always do that, even if they’re local.  So, so convenient to just run up to your room to change or chill or whatever, rather than find a corner in a crowded ballroom to stash your stuff, have to change in a bathroom stall, etc.  I wish that the MAC was in its traditional venue of Manhattan Center in Midtown, which has a nice regal feel to it, but the hotel was fine (other than the staff seeming to not give a crap about anything, but that’s a separate issue).  Driving there was relatively easy.

On Friday, I had absolutely no events to dance until Masters of Syllabus (MoS) Standard in the late afternoon/evening, and it was great, because I had severe lack of sleep.  So I was just around, cheering people on, and trying to be generally helpful.  We hadn’t practiced syllabus stuff almost at all prior to the comp, so MoS was a lot of lead-follow (which started out a little clunky) and trying to resist doing open moves.  I didn’t feel like wearing one of my costumes, so just stuck with this purple syllabus outfit I have (made by Dance America, love it!) and some bling, which was an approach that one of my friends also took.  I heard from her that someone from the judges’ area or thereabouts approved of our simpler approach, which is nice to know  Mostly, I was just lazy and didn’t feel like dealing with all that volume/floatage.  We got to the final out of a first round and ended up placing 5th, so clearly attire does not matter if it’s classy and your dancing speaks for itself. Woot!  Similarly, the champ Latin winner had an unstoned black dress and just some classy stoned accessories, including this awesome ear cuff thing.  Not that I’m that cool, just drawing a similarity there.  Interestingly, every single champ Latin finalist was wearing black or white.  Mostly black.

MAC Champ Latin Finalists

Saturday was full full full of dancing.  I think I danced at least 50 individual dances in all.  I was exhausted by the end of the day, but it was a really “on” day.  Jesse and I made quarters for novice and prechamp standard, and missed the semi for novice by a single mark.  Big improvement over last year’s MAC and woot, qualifying for Nationals.  We also had our best round ever during the prechamp first round, and importantly made it through quickstep without effing it up!  It’s a common issue.  I now know a lot of people in these events, so that was really nice seeing good friends from undergrad and bumping into other ballroom friends (sometimes literally, on the floor).

The BF (who hadn’t danced rhythm in five years) and I finaled in silver rhythm, and it was pretty fun. Then, smooth! Jesse and I finaled in prechamp from a quarter, and then danced champ.  This was our first time really dancing champ smooth (last competition, we were the only couple), so we freaked out when we found out we had made the final from the semi of 12.  I literally screamed a little, and if you know me, I am not a particularly excitable person (except when it comes to cute animals and food).  I was close to dead from exhaustion by that point, and joked to Jesse that we could just stand there in the final and not dance, because we’d get 7th anyway.  But we ended up placing 5th, which was, again, unexpected and fantastic.  Mayo Alanen was generous enough to sponsor scholarships for those two smooth events, so that’s always a nice bonus.  He seems super nice and I’d love to have a lesson with him at some point.  The winners and many finalists (I think) are his students, so I think the money will just go back to him in some form, but it’s nice nonetheless.

Saw some spectacular champ standard dancers, and the whole thing ended with some slightly controversial results.  The winner was a couple with better dramatic, athletic, WDSF-style shaping, but worse floorcraft, while my (and many others’) favorites took second – they were more balanced, I think.  The 2nd place guy looked familiar and his name rang a bell, so I thought he was one half of a youth 10-dance couple I had loved from a few years back. It turns out that he is that other guy’s brother!  Ridiculously talented families, man.

Sunday was a fun day in the city, watching the Broadway musical If/Then starring Idina Menzel from the 9th row (!!!), eating lots of good food (highly recommend Cook Shop and Stanton Social Club), and doing a moderate amount of touristy walking around stuff in the cold rain.  Overall, fantastic weekend, and I was sad to go back to my normal boring life.

I was really happy with our dancing, but being the way I am, am always looking to improve.  A few major things now – shaping/huge steps in standard, extending shapes and polishing transitions during smooth, and some posture stuff.  Looking forward to a couple of lessons this week!

Edited to Add: Also, so many of the Midwestern dancers who traveled to this competition killed it! I identify as more East Coast, but have come to adopt this area of the country.  I think the East Coast has a better reputation for good dancers, but the Midwest people proved to everyone that there’s some fantastic dancing there as well :).  Also! MAC has the best team match.  Where else are you going to see Robotic Hustle and 3-person Argentine Tango?

Commence OSB Freakout!

Just kidding, it’s already been happening for the past couple of weeks.  And OSB, I mean Ohio Star Ball, one of the biggest ballroom competitions/galas/shindigs/extravaganzas in the United States.  Very technically, I am competing this weekend in the US National Collegiate Dancesport Championships, one of the few collegiate-only comps, that happens to share a space with the Ohio Star Ball, which has amateur, pro-am, and professional competitors.

Anyway, it’s a big to-do, and also my regular partner’s and my first and only competition this academic year.  And we’re doing champ smooth for the first time (admittedly, by ourselves, but that’s a different sort of scary.) Pressure’s on, but I’m also trying to remind myself to just have fun.  And to try and survive quickstep.  Oh yeah, and I am also leading bronze and silver Latin for the first time, which is another source of excitement and terror. Will I spontaneously fall back into the follower’s version of the jive basic or do what I’m actually supposed to do as a lead? Will I blank out and do ten thousand New Yorkers on default mode? We shall see.  I forgot how boring bronze is, with the limited number of things you can do.  But I guess that will be working in my favor.  Also, it’s been a while since I’ve had to be a part of an event that has like 6+ heats. Oy.

Also, this year, PBS is filming the pro events as part of America’s Ballroom Challenge again! Exciting stuff, as this was cancelled a few years back.  Maybe it’ll lure the world champions out to OSB? Fingers crossed.  I’m also looking forward to checking out all the sparkly stuff, since a bazillion vendors come to prey on our vanity and love of shiny things (well, and to make a living, of course).

Here are a few awesome showdances from years past for your enjoyment. Sorry if they’re repeats.  Also, holy low resolution!